The advent of sonograms, MRIs, and other advanced forms of body imaging have transformed modern medicine and the way in which people view their bodies. These non-invasive renderings provide doctors with critical information about personal health, and, yet, when faced with uncertainty about a diagnosis, these medical images can provoke fear and confusion. They give a powerful glimpse into the complex systems of the bodily existence, marking growth and deterioration.
This summer, Houston Center for Contemporary Craft is presenting “A View Within,” an exhibition of textiles by Karen Rips and Paula Chung inspired by body imaging from the artists’ friends, family members, and strangers.
As a collaboration that began in 2009, Rips’ and Chung’s textiles illuminate the beauty, strength, and vulnerability of the human body, introducing emotion to these otherwise static images. Rips and Chung write in their artist statement, “As artists, we find these images compelling, since they can be seen simply as shapes and lines, dark and light spaces.”
Uniting layers of hand-dyed silk and cotton through a combination of stitches made both by hand and by a free-motion sewing machine, each artist interprets the same diagnostic image in her own distinctive voice. In Rips’ piece, “Swayback,” and in Chung’s piece, “Crossed Arms,” each artist responds very differently to an MRI of a torso in profile.
Rips’ bold and expressive textiles translate emotion through line, color, and space, distilling each image into an abstract composition. In “Swayback,” she creates a gestural red stroke marked by cross-stitching to reflect the curve of a spine. Like ripples of water, fabric is gathered on either side of the spine, echoing the outline of the silhouette.
Alongside Rip’s abstract interpretation of the spine, in “Crossed Arms,” Chung’s detailed tapestry provides an intimate portrayal of the figure’s posture by using a free-motion sewing machine to create rich color gradations. Using this method, she is able to thread up to six different colors of thread at one time.
This free-form technique allows Chung to exercise great control over the thread, which yields soft and subtle color changes in the textile. Her impressionistic use of color evokes an intense emotional response while it is also a realistic study of an MRI.
The artists’ command of material and technique inspires an important dialogue about people’s interpretations, responses, and relationships to these medical images.
“Artists have made significant contributions to our understanding of the human body,” Kathryn Hall, curator of the Houston Center for Contemporary Craft, said reflecting on the positive connection between art and medicine. “Leonardo da Vinci’s studies of the mechanics of the heart’s arterial valves, as well as his drawings of the human skeleton and major organs, were critical in determining how our bodies function. This is no less true today.
Hall added that “A View Within” inspires people to open up about their own experiences with life and death, allowing them to discuss subjects like illness and disease that are otherwise unpalatable.
Paula Chung lives in Zephyr Cove, NV, where she studies nature and maintains her fiber-art practice. Karen Rips from Thousand Oaks, CA is pursuing a career as a fiber artist after retiring from neonatal nursing. Her work can be found in the collections of the Kaiser Permanente Hospital, Panorama City Medical Center in Los Angeles, CA, and at the Providence St. Joseph’s Medical Center, in Burbank, CA.
The exhibit runs through September 3, 2016 in the Main Gallery of the Houston Center for Contemporary Craft, 4848 Main Street, Houston, TX.